#KREWELLA GET WET WE ARE ONE FREE#

вЂњRing of FireвЂќ again opts for a darker timbre and shock-value lyrics with its f-bomb opening salvo. ItвЂ™s not a bad cut, but pales against more notable highlights. And still, the ambition of вЂliving it upвЂ™ drives the number: вЂњIвЂ™m making the night mine until the day I dieвЂ¦вЂќ вЂњPass the Love AroundвЂќ once more goes for togetherness, but third time doesnвЂ™t prove to be charm, or at least as charming. ItвЂ™s still true enough to the genre, but itвЂ™s understandable why the single blew up. The prominent use of piano makes this cut more pop-like without the expected electronic bag of tricks.

вЂњAliveвЂќ provides contrast and balance, eschewing curses for more substance and a softer side. Lyrically, the trio continue to flex their rebelliousness, proclaiming вЂњWe are louder than your bullshit / So youвЂ™re just dancing with the devilвЂ¦вЂќ Having a minor key at work and guests Travis Barker and Patrick Stump certain elevate the killer cut to the next level. If there were serious objection, the sinful вЂњDancing with the DevilвЂќ erases them, even if damnation seems to be involved. Sure, both tracks have their distinctions, but the notion of вЂunityвЂ™ seems to be a shared principle. Little is subtle about вЂњWe Are OneвЂќ, particularly considering the cut seems to similar thematically and lyrically to the previous number вЂњWe Go DownвЂќ. As they say, вЂњitвЂ™s the little thingsвЂќ, the subtleties. Krewella also provides the listener some вЂelectronic-reliefвЂ™, stripping some of the electro elements temporarily following the second verse. вЂњEnjoy the RideвЂќ doesnвЂ™t skip a beat either, even adding some captivating powerhouse vocals to the mix. For an electro number, there are some impressive lyrical moments, most notably вЂњMouth to mouth I breathe you in / Swallow down your jagged sin / Let it drown inside my veins / The sweetest I could takeвЂ¦вЂќ Like previous cuts, the production woos, inviting the listener to groove. As its title suggests, it makes you wanna вЂcome and get itвЂ™.

вЂњCome & Get ItвЂќ accelerates the tempo and pours on the vocal processing. The proceeding вЂњWe Go DownвЂќ has a tough act to follow, but manages to hold its own with a message of togetherness: вЂњIf we go down / we all go down togetherвЂ¦ falling all as one tonight / if we go down down, down, we all go down together.вЂќ Throw in the obligatory f-bomb for emphasis to match the edgy hip-hop/electro-pop sound, and вЂњWe Go DownвЂќ rocks. Along with optimistic sounds comes biting, unapologetic lyrics, including standout вЂњMy head is in the clouds / You can say that IвЂ™m a dreamer / But I bang it super loud / Turn that b*tch into a screamer.вЂќ вЂLiving for the nightвЂ™ may not be the most responsible message to convey, but itвЂ™s certainly a fun one. вЂњLive for the NightвЂќ proves to be a savvy opener for Get Wet, characterized with bright production work epitomizing the EDM genre. Get Wet is just that, an enjoyable album that certainly doesnвЂ™t reinvent the wheel nor bring anything extraordinarily meaningful to the table. While that dessert is certainly delicious and definitely a guilty pleasure, without some healthier choices, it isnвЂ™t completely good for you. As an album, Get Wet could be likened to a rich dessert itвЂ™s stuffed with fat, calories, and sugar.

Face it, Jahan, Yasmine, and Rain Man enjoy вЂliving it upвЂ™, evidenced throughout the affair.

#KREWELLA GET WET WE ARE ONE FREE#

вЂњI live for the night / I live for the lights / I live for the high, вЂ™til IвЂ™m free fallinвЂ™.вЂќ Yep, thatвЂ™s the sentiment EDM-pop trio Krewella deliver on their debut album, Get Wet.

Krewella get wet we are one